I loved having permission to photograph what I found interesting without the stress of having to be perfect. Which was good, because one, most of the lighting was artificial and I don't have the fancy flashes and lenses to compensate, and two, I hadn't a clue what I was doing. Whenever something caught my eye, I just clicked.
My favorite part was capturing the photos that no one else was taking, the un-posed, casual moments that told a story. The calming hand massages. The quiet conversations. The panic over a torn stocking. The mad dash upon being released from a formal photo session. Except for when I told my friends' kids to grab their friends for some spontaneous outside photos, all the photos were off-the-cuff.
I tried to capture as many of the different wedding day components as possible: the teen boys' last minute washing of a car, the sound tech guy, the food, the ushers, the guests, the hyper, post-wedding children, the caterers. (My one regret is that I didn't get many photographs of the groom's family. I had never met them before, and since I was working with a 50mm lens, I couldn't discreetly snap pictures from a distance. But it felt invasive to get all close and personal, so I mostly just didn't. And of course, that didn't feel right, either.)
The whole day was loads of fun, but by the end I was whupped. The exhaustion was bone-deep and debilitating. All I wanted was to lay flat on my back for a very long time. So I did. The end.
Congratulations, sweet friend. Thank you for including me in your special day.
This same time, years previous: the quotidian (1.26.15), and then we moved into a barn, housekeeping, flourless peanut butter chocolate chip cookies, and shoofly cake.